Projects

info


2024

Artek en traits

drawings

2024

Paimio sanatorium

research, paintings

For more click here.

2024

Paper lamps

object




2024

Angeli's the light

printing




2024

Montjoi Institut's first edition

book making, graphic design




In collaboration with Thea Brochard, Ward Lauwers, Xander Maclaren, Nathan Raccah et Perle Venzal.

Montjoi Institut's website

2023

The day a poor form became rich

object




"The day a poor form became rich" is a tiny-scale project using waste material in an act of revaluation. The initial intention was to understand the mechanism behind the industrially produced aluminium clip through the practice of reproducing it, based on a broad and heterogenous survey of existing metal clips. A evolving range of clips are made from aluminium waste using only the techniques available in their given production context. Each produced clip follows dimensions drawn from ISO paper standards, allowing for simplified calculations, appealing proportions, and the possibility of an array of scales
Functionally, the clips attach to surfaces, work as display devices for holding papers, and can clip onto each other to build lightweight structures. The clips also work as tools for assembling further clips — holding springs to metal plates while fastening zip ties and acting as benchmarks for placement of holes and indentations on the plates. On a representational level, the clips exemplify the idea that developing things at one scale means developing them on all scales.

For more click here


Published in fold magazine

2023

8 frames a page

drawings




dessin

2023

Kyocera

printing, book making

green book looping blue book looping fibonacci

green book looping greenbook greenbook greenbook

"Kyocera" started from a fascination for printing as a medium and for "obsolete" office printers as machines to find, repair, and use. Paper was bought cheaply from thrift stores and flea markets or acquired through contributions of old stock from businesses and schools. Access to printers in institutional settings is often indirect: fees, restrictions around material type and format, and access control are impediments to experimentation. "Kyocera" is an attempt to make a seemingly hard to access tool more accessible. The aim is to create proximity with and through the practice of printing and producing books.


For more click here

2023

Anonymous Artefacts

documenting, printing,

book
book

2023

Faire-part

graphic design

book book

2022

Barcelona

typeface







Typeface inspired by vernacular signage in Barcelona.

2022

l'Ouvroir

graphic design

carte
carte

2021

Erratic

typography, animation


Erratic was the result of a meticulous exercise of selection and substitution, based on the Baskerville typeface. The attempt was to highlight the signifi- cant elements of a typeface and the essence of its recognition. Once the significant parts were chosen, they were used as a base for exploring multiple ways of relating these fragments with one another.


2021

Unwitting encounters

filming, documenting

greenbook
Unwitting Encounters is an ongoing practice. This project involves conducting filmed interviews with strangers encountered while walking in Parisian streets. This series of footage resulted in a collection of lively interactions and unexpected dialogues.

Click here to see the videos


Website coded by Louise Dousset